Rodgers and Hammerstein Unit Studies for Kids

This past summer, some old friends invited my daughter and I to join them to see Rodgers and Hammerstein's Cinderella at the North Shore Music Theatre. We did and it was excellent. After that weekend, we realized more than we had before how big a deal musical theater is for our girl. She couldn't stop talking about the costumes, especially Cinderella's and the fairy godmother's rags that transformed into gorgeous ball gowns when they spun around right before our eyes. Then there was the fascination with the way the show portrayed aspects of the story, like the prop "horses" lit up with Christmas lights taking Cinderella to the ball. And there were some plot twists we weren't expecting, like the fact that after a second ball Cinderella intentionally leaves a shoe behind. And most of all, the music. We were Rodgers & Hammerstein newbies before that show and were immediately enchanted by the wonderful songs. Within a couple of weeks M had them all memorized, belting them out throughout the day, humming them constantly, getting them stuck in all of our heads. 

Added up, the experience really lit something in her that honestly has stayed alive ever since. It made us want to get her out in the world to see plays and musicals whenever possible, ...AND it inspired one of the most fun things we've been up to this school year: unit studies on Rodgers and Hammerstein musicals! 

Rodgers and Hammerstein Musical Theater Unit Studies for Kids

 

We started with a Cinderella study, then about a month later we moved onto The Sound of Music, and after that State Fair, and finally The King and I. With each one, we began with simply watching the movie, then moved on to check out different versions, do related activities, go on field trips when possible, and end with some sort of special culminating project. These unit studies have been a high point in her week. Here are the fun activities and lessons we've done that you might want to try with any musical-loving kids in your life. I listed them in roughly the order we did them. 

Unit Study: Rodgers & Hammerstein's Cinderella

• The Show: We watched Cinderella live at the North Shore Musical Theatre. It really made an impression! 

• The Songs: We listened to Spotify playlists of R&H Cinderella songs in the car, both the Julie Andrews version and Broadway versions, over and over...and over and over... There are so many great songs, from "In My Own Little Corner" to "Impossible/It's Possible" to "Lovely Night" and more.

• Singing: I Googled lyrics to many of the songs, by M's request, and printed them out for her so she could sing along whenever she wanted and learn the trickier parts. (She also discovered for me that if I let her hold my phone, she could read the lyrics at the bottom of the Spotify screen for the song being played.)

• Other R&H Cinderella Productions: There are so many Cinderella films out there, and we watched two other R&H ones we loved:
• The 1957 version of R&H's Cinderella on YouTube, which we were delighted to find since it doesn't appear to be available anywhere else to stream. It's black and white, was broadcast live on TV in 1957, when it received the biggest television audience for anything up till that point, and stars Julie Andrews. The YouTube video includes a modern introduction by Julie Andrews, and is definitely worth watching. 

• We also watched the version with Brandy as Cinderella, which features Whitney Houston as fairy godmother (M's self-declared "favorite fairy godmother") singing "There's Music in You," which is a R&H song pulled out of old files of theirs and unique to this movie. This one has a diverse cast, and the set and props are peppy and colorful. 

• Online Lessons: We found the Musical Theatre Project online and enjoyed the Rodgers and Hammerstein Cinderella unit lessons there (a legacy left there from Covid quarantine days). The lessons were brief and to the point and full of good energy. We learned a dance to "A Lovely Night," saw brief videos about Richard Rodgers and Oscar Hammerstein, and discussed Cinderella's character traits, among other things.

• Read Aloud: There are so many picture book versions of Cinderella, from all over the world, and we read a LOT of them. This gave us a chance to discuss a lot of things-- similarities, differences, themes, authors' choices-- in a kid-friendly way. I made sure we discussed early on what a "rags to riches" story is, and also what a "fairy tale," by definition, is. I was a little worried that by spending all this time on Cinderella that I would be teaching her to value love at first sight or salvation in the form of rescue by a handsome prince! But what was neat was the more we learned and the more stories we read, we started to see more and more the deeper, admirable aspects of this timeless tale-- like the feeling of wishing for something deeply. And Cinderella has a lot of special traits beyond her beauty: she is hopeful, kind, resilient, optimistic (hardly ever letting those mean step sisters really get her down), and in most versions she shows forgiveness in the end, despite all her hardship.    

• Cinderella with a Modern Twist: Since we were becoming such experts in how this tale has been told in different places at different times in different ways, we watched one other movie version of Cinderella that was not Rodgers and Hammerstein. It was a modern version, starring Camila Cabello and featuring Idina Menzel as the stepmother. In it, Cinderella dreams of being a dress designer. This film is a musical, with characters singing a great variety of popular music, from "You Gotta Be" to "Let's Get Loud." My favorites are Cinderella singing "Million to One" as she dreams, and the stepmother and stepsisters singing "Material Girl." This version is so fast-paced and energetic, and just surprising, that's it's really very enjoyable. 

• Culminating Project: Write your own Cinderella: And as a grand finale, my daughter wrote her own Cinderella story. First we listed the features that so many of the stories had: magic, a mean step family, a hard-working main character, a fairy godmother person (or animal in many cases), a happy ending, and so on. Then M chose which aspects she wanted to include in hers. She was inspired to make the fairy godmother in her version a unicorn, who takes Cinderella (who she renamed with her own name) across a rainbow to the ball. She voice typed the story in Google Docs, we printed it off as a booklet in Word, and she illustrated it with stickers and stamps and stencils!

Cinderella story planning sheet

Voice-typing: a break from the physical effort of writing to let the creativity flow :) 

M's own Cinderella story

Unit Study: Rodgers & Hammerstein's The Sound of Music

• The Show: We watched The Sound of Music on Disney Plus.

• Singing the Songs: M was immediately consumed by the story and all the songs; it's so sweet and fun, it would be hard not to be. Again we listened to the soundtrack on Spotify a lot and I printed out lyrics to various songs for her, from "Edelweiss" to "I Have Confidence."

• Field Trip: We heard stories about the real Maria and the rest of the real von Trapp family on a history tour at the Trapp Family Lodge, which happens to be within easy driving distance from us. While we were there, M and I treated ourselves to lunch out, where we sampled schnitzel-- which is one of Maria's "Favorite Things" in the song of that name.   

Sampling schnitzel

These hills at the Trapp Family Lodge in VT are reminiscent of the Alps...

von Trapp family tree, at the Trapp Family Lodge in Stowe, VT

• Baking: Continuing with the food theme, we experienced another of the "Favorite Things" for ourselves by baking our own "crisp apple strudel."

"Cream-colored ponies and crisp apple strudels..."

• Online Articles: We enjoyed looking at the old family photos in this Mental Floss article, and particularly two videos: one of Maria von Trapp teaching Julie Andrews the right way to yodel (really cute and funny) and another of an interview with an elderly Maria von Trapp. 

• Other R&H Sound of Music Production: We couldn't resist checking out a 2018 made-for-TV version of The Sound of Music starring Carrie Underwood, but (in my opinion) it was a very weak replica and overall pretty underwhelming, so I don't really recommend it... 

• Violin: My daughter plays violin, so we added "Do Re Mi" to her repertoire with this video.

• Dancing: We tried to dance the Landler, the Austrian folk dance featured in the film, with this YouTube tutorial.

• Yodeling: We read a great, short National Geographic article about the origins of yodeling in Switzerland with video demonstration by a native, and then we tried it out ourselves with this simple how-to video on yodeling. I'm not sure we were catching on properly, but we had a lot of laughs making some very strange noises while trying. 

• Culminating Project: Rewrite "My Favorite Things": For a final project, I had M write her own version of "My Favorite Things." It's the type of song that's just asking to be rewritten, and everyone's version will come out uniquely. (If I still had an elementary school classroom, I would be doing this project with my whole class!) I had M just brainstorm a bunch of little things in life that make her happy, and she came up with everything from her favorite Disney characters to twirly dresses to big square marshmallows from a local bakery. For the stanza about when she's "feeling sad" she came up with dogs jumping on her and her parents saying no. :) We checked out this simple rewrite example, and used this lesson plan to guide us, particularly using the big idea of focusing on the stress pattern of the syllables. Getting her ideas to fit a certain number of syllables, not to mention placing emphasis on parts of words that wouldn't normally have the emphasis in order to match the stress pattern, was a moderate challenge for a musical 7-year-old, and I think her song turned out amazing-- it's a keepsake for sure. 

M's version of "My Favorite Things"

Unit Study: Rodgers & Hammerstein's State Fair 

• The Show: We watched the 1945 version of State Fair on Amazon Prime. (I don't recommend the 1962 version, available on YouTube, for young kids.) Both my kids enjoyed the comedic elements and it was a simple, though dated, story of the Frake family of Iowa heading to the state fair for the weekend. Mr. Frake is wrapped up in the well being of his prize pig, Mrs. Frake with her award-winning mince meat, while teenage (?) children Margy and Wayne wander around the fair and each has a romantic adventure (that remains chaste in this 1945 version). 

• The Songs: There are a few fun songs, from "Our State Fair" to "It's a Grand Night for Singing" to "Ioway." Per usual, we listened to the soundtrack and printed off lyrics for my daughter to sing along in the car to her heart's content.    

• State Fair Culture: To get a sense of the culture of the Iowa State Fair, we watched a few short PBS videos about it. 

• Learning about the Setting: Occasionally when we are studying a certain place in the world, or about to go on a trip, we check out the Smithsonian Channel's Aerial America series. There is an episode for every state. The episodes are less than an hour, and consist of fly-over footage of a place with voiceover narrating interesting facts and history. We watched Aerial America: Iowa and got lots of views of all those farm fields, and even some of the state fair. 

• Comparing Stage and Screen: We watched a few clips from other stage and screen productions of State Fair. It's always interested to compare the actors, the sets, the costumes, and more with my daughter.  

• Culminating Project: Cooking: We found this old article about a prize-winning mince meat at the Iowa State Fair in the 70s. And we used this recipe to give it a try. I don't think it was anybody's favorite (is it dinner? is it dessert?) but it was fun to try, as the mince meat scenes in the movie are some of the funniest moments.

Had to try out mince meat pie

Unit Study: Rodgers & Hammerstein's The King and I 

• The Show: We watched the 1956 movie, starring Deborah Kerr and Yul Brynner. I had never seen this movie myself it was impressed with it. It has compelling characters and so many interesting aspects to discuss. It is a story based on a novel, which was based on the memoirs of a real person, Anna Leonowens. 
• A bit about the facts and history: Anna took a job teaching the children and wives of King Mongkut of Siam in 1862. (I thought the polygamy aspect might be weird for a kid, but it wasn't a focus in the movie, and I just told her that in many Asian cultures at that time it was common for the king to have more than one wife and she accepted that.) It was a time when nearly every country in Southeast Asia was becoming a colony of a European power. King Mongkut was strategic in handling this, bending to certain pressures but managing to maintain Siam's independence-- and apparently Thailand is the only Southeast nation that has never been colonized. He was progressive in some ways, interested in western developments in science and technology, while he was very traditional in others. Anna was an educated woman, a widow, an experienced traveler, and later part of the suffragette movement. The story takes place at the time of the American Civil War, and in part of the film the story of Uncle Tom's Cabin is portrayed through a Siamese ballet. 

• Discussion Topics: The tension, debates, and friendship the movie portrays between an intelligent, progressive yet traditional monarch, and the modern western woman who arrives at the palace and speaks her mind from the first moment is possibly the best thing about the movie. There were so many interesting topics and themes that we discussed in an age-appropriate way (and a number of them we could have done even more with if my daughter had been older), including:
• What is slavery? What was Uncle Tom's Cabin (mentioned, and portrayed through a ballet scene in the movie) about? What was the Civil War about?
• How can the world feel different depending on one's perspective? (There is a great scene showing the world map with a predominant Siam in the middle of it that the prince/heir knows, contrasted with the "real" world map Anna presents when she is teaching, and there is also a moment when she teaches the children about snow and they don't believe her.)
• The idea of women's roles
• Should things be done in a traditional way, or a new, "scientific" way?
• Power-- what should a good king, or other leader, be like?

• Singing the Songs: This movie has great music and my daughter loved singing the songs as she does every time she watches a new musical, in this case everything from the sweet "Getting to Know You" to the optimistic "Whistle a Happy Tune" to the sweeping-across-the-stage polka "Shall we Dance." 

• Analyzing the Songs: We took the time to read and analyze some King and I lyrics as well, such as the song "A Puzzlement" which is a solo sung by the king. I asked M what the song was really about and the emotions of the character singing it, and we discussed what certain lines meant.

• Comparing Stage and Screen: We checked out some video clips and photos from various productions of The King and I. 

• Other R&H King and I Production: We also watched a 1999 animated, kiddie version of The King and I, which added a plot twist or two and was fun to see for comparison's sake. 

• Lessons: I found an excellent Lincoln Center teacher's guide for The King and I. Some of it was aimed at older kids so I picked and chose activities that worked for us. For my 7-year-old, I particularly loved these parts of it:
• An introduction the the American Musical (page 10 of the guide)
• The first six minutes of this intro to Broadway: The American Musical series, narrated (of course) by Julie Andrews
• An activity to help us analyze the song "A Puzzlement" sung by the king in the movie (page 10 - 11)
• The history, which I summarized above, about the real people and place that this movie was based on (page 12 - 19)
• Learning about the "Book Musical," which Rodgers and Hammerstein first created with Oklahoma (a movie I decided not to watch with my 7-year-old because of the content and amount of innuendo, by the way) and the musical theatre building blocks: music, dance, and theater. We also here learned the names of some of the many jobs involved in making a Broadway show, from choreographer to lyricist to designers, composers, and orchestrators. (page 22 - 26)

• Culminating Project: Musicalize a Favorite Book: The Musical Moments writing activity, described in brief on page 27 of the Lincoln Center guide, inspired our culminating project for The King and I (and really for all the musicals we've studied): a song-writing mini unit. 
• First, we reviewed a bunch of musical numbers M already knew, having her name which characters sing them, what type of song they are, how the character is feeling/what they want in the song, and what important moment in the plot or "turning point" it occurs at. We used these examples: 
• "The Schuyler Sisters" from Hamilton
• "Part of your World" from The Little Mermaid
• "I Just Can't Wait to be King" from The Lion King
• "The Next Right Thing" from Frozen 2
• "I Have Confidence" from The Sound of Music
• "My Own Little Corner" from Cinderella
• "When will my Life Begin?" from Tangled
• After this review, we chose a story we wanted to try to imagine as a musical. We could have used any (non-musical) movie or even perhaps a picture book, but it was a good opportunity to spend some time with some wonderful chapter books we had recently read together, so I had her choose from among these three: 
• Beezus and Ramona by Beverly Cleary
• Clementine by Sara Pennypacker
• Gooseberry Park by Cynthia Rylant
• Then I had her list a few moments from the book that she thought would be good to musicalize (i.e. important moments in the plot, or times that show what characters want or strong emotions. The moment could consist of interactions between characters or be just a moment of the character thinking to herself).  
• For each of the moments, she had to decide: which characters would sing it? What type of song would it be (fast, slow, funny, serious, etc.)? Would there be dancing with it, and if so what type (ballet, hip hop, etc.)? 
• Finally, she chose one moment and wrote a song to go with it! 
• If you were so inclined, or for older students, you could write it from scratch, like a poem, but for our purposes I had M choose a song she knew and change the words.  I was ready to offer as resources for this song lists from the Disney and other musicals she knew. But as it turned out, she had an amazing ability to pull a song out of the air that she felt had a beat or tone that matched her book moment she wanted to musicalize. I printed out the song as it was, and then next to the original lines she wrote her own new words. 
• Together we wrote a song to go with Beezus and Ramona-- a song about how Ramona is always getting into mischief without really intending to, and how her family helps her figure a way out of it somehow, that we imagined being sung by her sister Beezus, to the tune of "Whistle a Happy Tune" (a song from The King and I). 
• Then, more independently, M wrote a song for Gooseberry Park about Kona the dog's icy adventure across town to find and rescue his squirrel friends. She almost instantly thought of "Rhythm Nation" which she knows from the Camila Cabello modern Cinderella movie and wrote great lines such as "A ve-ry, ve-ry, ve-ry big risk!" in place of "Rhythm, rhythm, rhythm nation!"....and "I have to find you right no-o-o-ow" in place of "We are a part of the rhythm nation." 

A musicalized moment from a favorite young reader chapter book, Gooseberry Park

This unit was so much fun. The best part was when M told me in the midst of the song writing at the end of it that writing time-- which normally requires serious effort on her part and some cajoling on mine-- was "so fun right now."   

A few final notes:

We spent less time overall on State Fair because (in my opinion) it just isn't the timeless, magical work of art that the others are. But we still found some topics to study and had fun with the music.

The Rodgers and Hammerstein site has a list of all their shows and a wealth of information about each one, including photos and video clips, and lists of various productions. It is a great resource worth checking out.  

This unit was a good reminder to me of everything homeschool can be: interest-based, personalized, multidisciplinary, memorable, fun, project-based, hands-on...I want to do more unit studies like this! 

I hope if you try these units you have as much fun with them as we did and that your heart, too, will be blessed with the sound of music. :) 

Curriculum Review: Core Knowledge History Units

On a recent chilly fall morning, my son and daughter and I had an "Olympic Games Day" out in our backyard. My son had brainstormed some games and equipment we could use to imitate the ancient, original Olympic games in Olympia he had read about in social studies: 

Javelin-- carved wooden spear

Discus-- bocce ball

Long jump-- see how far past a line they could each take a running leap

Races-- timed around the perimeter of our yard 

Wrestling-- because they really wanted to, although we added a few more rules beyond the two authentic ones we'd read about in Ancient Greece (which were simply: no biting and no sticking your fingers in your opponent's eyes!)

Olympic Games Day "Javelin"

We made some accommodations to each game to make it a little more fair for my 7-year-old going up against her 12-year-old brother. We even came up with a basic point system, doing a few trials of some of the activities and then tallying the points and announcing gold, silver, and bronze (for the activities I was willing to be a third participant in). Winners received gold-, silver-, or blue-wrapped chocolate coins we happened to have leftover in our candy stash. 

Needless to say, the kids loved it. But I don't get to take credit for the fun idea, as it was included as a suggested activity in my Core Knowledge Teacher Guide for the Ancient Greece and Rome unit my son is doing in history currently. 

We've been using Core Knowledge history units for several years now in our homeschool, and one of my favorite things about them is the enriching additional activities suggested along with every chapter or two, like our Olympic Games Day last week. There are a lot of things I like about this resource for teaching and learning history, though. Here's my review of the curricula. 

The Approach

The Core Knowledge Foundation, according to their web site, wants the emphasis of K-8 education to be "an enabling core of broadly shared knowledge...Such knowledge is possessed by successful adults and taken for granted by literate writers and speakers. It's the broad and diverse knowledge that makes responsible citizenship possible." It's a lofty statement, but the idea is that there are things we all need to know. The Core Knowledge Sequence, in fact, lays out ALL of those things they think kids should know from preschool through grade 8 in language arts, history, geography, mathematics, science, visual arts and music. It's an intense, and, honestly, overwhelming document. I wouldn't want to teach every subject using Core Knowledge resources because I think the kids would tire of everything being taught in the same basic structure all day; also, I have other programs and resources I love in other subject areas. But for history studies, it is our foundation and we've found it indispensable. 

Getting Started

When I am planning our year, I go to the Core Knowledge web site, click on Curriculum, and then Download Curriculum. You can filter by academic subject and/or grade level on the side. The page will show you all the units available that fit your search terms. I like to just select "History & Geography" and not specify a grade level so that I see all the social studies units. As the grade levels go up, the reading level of the student readers is higher, and some of the content is more complex, but a grade level or so up or down from where you child is doesn't matter at all. I select units based on what we want to study rather than on grade level, and more and more over the years I have my son (now a 7th grader) choose. I do NOT try to teach all of the units listed within a certain grade level. There is a breakneck pace mandated in the teacher guide if one were to do so to fit it all in; we like to take our time and work through the units deeply rather than trying to get through a certain number of them. 

Unit Components

The units consist of a Student Reader, a Teacher Guide, Timeline Cards, and Online Resources. A little more about each of these components is below. 

Student Reader: The Student Reader is a textbook for the unit. Some of the smaller units have just a few chapters, while the heftier ones can have around 20. Each chapter is just a few pages long and has a "Big Question" at the beginning to help students focus on the big ideas of the chapter. For a chapter called "The Golden Age of Athens" in our Ancient Greece and Rome unit, the big question was: "What were some of the cultural achievements during the Golden Age of Athens?" In the past, my son and I would discuss the Big Question after reading and discussing a chapter. This year, now that he's older, I've been having him write each Big Question and his paragraph response in a certain section of his social studies notebook. (It is a suggestion in the Teacher Guide to have students do so.) This way he has all the "answers" to the big concepts of the unit in one place to refer to or use for studying. My son is a detail guy so he tends to go off on a tangent with a lot of details about one particular part of a chapter he found interesting, so it has been challenging, but good for him, to learn that he has to first make sure he answers (and can sift out) the big ideas of the chapter. The Student Reader also has some photos, maps, and drawings that illustrate the chapter contents. Each chapter contains several key vocabulary words defined in sidebar boxes, to aid comprehension of the chapter and help boost students' vocabularies as a whole. The Student Reader is available as an actual book for purchase, or as a FREE downloaded PDF from the Core Knowledge web site. (See more about these options below under Cost.) 

Student Reader

Teacher Guide

The Teacher Guide is also available for purchase as a text or for free as a PDF download. The Teacher Guide includes the pacing guide, which I largely ignore. (We go at our own pace which is generally a bit than the 45 minutes a day, 5 days a week pace that is outlined.) It includes some general teaching suggestions and information about the unit components, and some worksheets that can be photocopied out of the back for student use (including crossword puzzles, fill-in-the-blanks, graphic organizers, and multiple-choice quizzes). There are also performance assessments at the end of each unit, suggesting larger and interdisciplinary projects to end each unit with a bang, whether by writing a story or essay, making a travel brochure, writing a poem, or making a piece of artwork. 

But the bulk of the Teacher Guide is chapter-by-chapter guidance. Every chapter, right through middle school-level units, includes pages of Guided Reading Supports for the chapter-- page-by-page commentary and questions to ask students to confirm their understanding (there are "Literal," "Evaluative," and "Inferential" questions). When my son was in 4th grade, we would read the chapters together, and I would refer to my Teacher Guide and ask all of these questions as we went. But my son is a good reader and this process made him a little antsy to just get on with it. So then we evolved to having him read an entire chapter (or two) and then I'd sit with him and go back and ask him a selection of these questions to check for understanding. Now that he's a 7th grader, we are skipping the guided reading supports; I am having him read a chapter, write his response to the Big Question on the chapter's big ideas, then I discuss with him his response to the Big Question with evidence from the text as needed. (A sample response to each Big Question is also included in the Teacher Guide.)  

Teacher Guide

Timeline Cards

Just as the Teacher Guide and Student Reader are, the Timeline Cards are available as a free download to be printed out, or for purchase in a cardstock bundle. Most chapters have at least one timeline card. Our current Ancient Greece and Rome unit has 24 Timeline Cards total, over 17 chapters. As you progress through the chapters, you hang up these Timeline Cards in order. Each card is 8.5 x 11 and shows an image and caption representative of the chapter, along with the date. The cumulative effect of hanging them all over the course of a unit helps students keep an eye on all they've read so far and internalize each event in history along with a sense of when it happened in relation to other events around that time or concept. The Teacher Guide suggests different ways of displaying the timeline, including vertically, horizontally, and pinned to a clothesline strung across the room. We have our current timeline making its way across the top of the wall around our great room and it works.   

Timeline Cards

Cost 

All these resources are available for FREE download at the Core Knowledge web site. For our first three years of utilizing Core Knowledge units, we did exactly that, my son reading the chapters on an iPad, me looking through the Teacher Guide notes on my laptop, printing out the Timeline Cards to hang on our walls-- and it worked. It's so great these resources are all free. However, this year for the first time we decided to spend the relatively small amounts to order the real life Teacher Guides, Student Readers, and even Timeline Cards. (This is largely because of a larger goal to help my son improve his study skills like reading for key ideas, underlining or highlighting as he goes, and notetaking. I thought those things might be easier to work on in concrete form, at least for now.) The books are attractive, the Student Reader the length and width of a paperback novel, the Teacher Guide spiral bound for easy use.   

Cross-Curricular Connections 

These units are a great foundation for any given event or period of time we've studied in history. They provide the backbone but they are not all we do. I think the most impactful unit we have done so far was the one on the American Revolution when my son was in 4th grade. We worked through the big Core Knowledge unit. But meanwhile, when he had reading time during the school day I had him choose from among some books in a couple of baskets of nonfiction on the topic of the American Revolution. (We discovered some real favorites in those days, and my son continues to tell anecdotes he learned via now-beloved nonfiction author, Steve Sheinkin, from his hilarious King George: What Was His Problem?) During writing time, he wrote a couple of informational pieces on subtopics of the American Revolution, synthesizing facts and stories from across multiple sources. History became a love of his that year, and the topics and themes of the American Revolution in particular, in part because we immersed ourselves in it.  

Online Resources

Each unit includes a link on the Core Knowledge web site for online resources, which anyone has access to, whether you purchased the books or just downloaded the free versions. The Teacher Guide at the end of each chapter will recommend activities that utilize one or several of these online resources. These "extra" activities can take a whole session or more, but they are generally well worth it. 

Here's a selection of fun and enriching things we've done by way of the online resources and Teacher Guide suggestions of these units over the years:

• Played Native American games (Native Americans, Kindergarten)  
• Watched the animated movie The Prince of Egypt, which tells the story of Moses and the Exodus (Three World Religions, Grade 1) 
• Went on a virtual field trip to Versailles (French Revolution and Romanticism, Grade 6)
• Created our own illuminated manuscripts (Medieval Europe, Grade 4)
• Watched a video of Kabuki Theater, and wrote haiku (Feudal Japan, Grade 5)
• Analyzed and compared two African American spirituals (Civil War, Grade 5)
• Played a Maya math game (Maya, Aztec, and Inca Civilizzations, Grade 5)
• Made a papier-mache pinata (The Culture of Mexico, Grade 1)
• Met and fell in love with the musical Hamilton through a video of "My Shot" (The United States Constitution, Grade 4)

W's own illuminated manuscript next to some actual ones (Medieval Europe, Grade 4)

Pinata painting (Mexico Culture, Grade 1)

If used in one way, the Core Knowledge history units could be viewed as just another boring textbook. But I think it's best used as strong foundation for interdisciplinary study (doing some related reading, writing, art, etc.), and is greatly enriched by the engaging performance assessments at the end of each unit and by the online resources referenced in the units and linked online. 

I recommend these history units for homeschool or school use! Please let me know if you've tried them, or if you have any questions about implementing them. <3 

Positive, Productive Problem-Solving with Kids

It's easy as a parent to get in a habit of constantly reminding your child about the same behavior repeatedly. Maybe it's leaving their wet towel on the floor, maybe it's never being ready on time when it is time to leave the house, maybe it's always interrupting others, or maybe something else. We find ourselves reacting in the moment to the same, pretty predictable, problem(s) day in and day out. But this pattern doesn't solve the problem: you feel like a broken record, your kid feels nagged, and you both feel frustrated. 

But, when you step back and see the situation for what it is-- a regular problem area, a pattern-- that is a step toward ending the problem. There are ways to change and improve those habitual frustrations, and better yet, leave parent and child feeling good instead of bad. 

One strategy is the one-on-one parent-child conference, or social conference, best used when working with an individual child about a recurring problem. The other method is a family meeting, for problem-solving as a group a situation or part of the day that generally is not working well and involves more than one person. Both are useful, depending on the circumstances. 

Sometimes these methods blend together. The basic approach for both is similar. Both are conversations with kids. Both involve naming the problem, brainstorming solutions, and choosing strategies to improve. Instead of the adult making all the decisions and handing down consequences or changes to the way things are going to be done, both of these strategies have kids and adults working together to problem solve. Being involved in problem solving makes children feel respected and more on board with outcomes, and also gives them practice in an important life skill.

I first learned about these strategies years ago as a teacher when I read a great book called Teaching Children to Care, and from my Responsive Classroom training in general. There are lots of resources to be found about class meetings (which are applicable to families as well as classrooms) and problem-solving conferences, and I listed a few handy ones at the end of this post. I've internalized my own version of each of them over the years which I am sharing here.

 

Here's the format of each method and examples of when to use them.

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One-on-One Adult-Child Problem-Solving Conversation

Examples of Times to Use It:

Your child is never ready to go out the door on time.

Your child always leaves their wet towel on the floor.

Your child habitually uses the bathroom for a long time during dinner time.

Your child leaves belongings strewn all over the house. 

Your child interrupts a lot.

Your child bites their nails.

Your child says hi barely audibly when they see people they know in public.

Your child regularly forgets their household chore(s)

Format of One-on-One Problem-Solving Conversation:

Link to a Google Doc outline of steps below here. 

1. Say what you (the adult) have noticed happening. As much as possible, describe the situation in a non-judgmental tone, just the facts. (For example, I've noticed a few times lately that when we see people we know and they say hi to you you answer so quietly that it's hard for them to hear or understand you.)

2. Ask if the child has noticed this, too. Usually, they have. 

3. Ask if the child has any ideas why this is happening. This is a time when shockingly simple solutions sometimes become apparent and the issue turns out to be an easy thing to fix. (For example, if the problem is that they never put their games away neatly, you may discover at this point that the reason is because they can't easily open and close the bags and boxes they go in-- in which case a very simple solution is to choose a new storage system together that is easier for them to use.) 

4. Tell the child why the behavior is a problem, who it affects, or the rule(s) it breaks. (For example: wet towels that get left around can stain things, they stink, and it causes us to have to do laundry more often.)  

5. Ask for any ideas they have to solve the problem. Kids often have ideas when you take the time to ask. If further probing is needed, ask what you can do to help with this problem. Ask what the child will do herself to help solve this problem. 

Try to just keep quiet and let them get any ideas they may have out first. The adult can then offer ideas or suggestions too. Make sure you don't present yours as more important. But include any ideas you have that might help. It should be a shared brainstorming session. 

It can be helpful to write down aspects of these conversations as you go, but especially to do so at this point, so you can both see and look over the ideas that have been mentioned. Every idea floated, unless absolutely unsafe or impossible, should be accepted and listed at this stage. Censor as little as possible and get as many ideas down as possible. 

6. Weigh the pros and cons of the ideas listed and agree on one (or a combination) to try. Look at all the possible solutions and discuss them or rule out as needed. Choose one to agree to try. Talk briefly about how you'll both know the plan is working and make a rough plan for when you'll check in about how it's going. 

7. Follow up: after a week, or a reasonable amount of time to have tried the solution, has passed ask the child how they think it is going. If it is going well and the problem is better, great! If it hasn't helped or hasn't helped enough, look back at the brainstormed ideas and choose something else to try also or instead. Repeat as needed with a problem-solving, we-can-figure-this-out-together mentality.  

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Family Problem-Solving Meeting

Examples of Times to Use it:

When you're tired of ongoing problems such as:

House is messy

No one comes to dinner when called

Morning routine feels hectic

Fighting in the car

Rushing/fighting to get to a certain seat at the table or in the car

Playing too roughly in the house

Or proactively/preventatively when looking ahead at potential challenging situations:

How to make an upcoming week at grandma's go well?

How to make a friend who is coming over feel welcome?

What should we do when out to dinner at that fancy restaurant Friday night so everyone will have a good time?

Format of Family Problem-Solving Meetings
Problem-solving group meetings are essentially the same process as above, except it's not focused on one individual's problematic behavior, but rather on a recurring situation or time of day that is not going well in the family (or classroom) at large. It involves interactions among people; there are more moving arts. Everybody needs a chance to air their grievances as well as to share their ideas and solutions. As noted in the examples above, group meetings can also be super useful when we hold them proactively before a situation that is likely to be tough. (In my former first-grade classroom, I often held a class meeting a day or two before a substitute was to teach in my place, and I think it cut down-- at least a bit!-- on problematic substitute-teacher behavior and helped them all have a more productive day than they might otherwise have had.) 

Some basic rules for these meetings are important to establish and review each time: Don't interrupt each other. Use an "I" voice; say how things make you feel, not what you assume about others-- which is another way of saying don't place blame. 

In our home we recently had a meeting about our family dinner times, and particularly some recurring tension that cropped up at the end of them. See our situation and examples from our meeting below. 

Link to a Google Doc Outline of steps below here. 

1. State the problem(s). The adult says what they notice and why it's a problem.  

Everybody eats at different speeds. W eats fast and then is fidgety and wants to get up the moment he's swallowed his last bite. M eats more slowly and seems to get distracted by different things (including being distracted by the fidgetiness and things W does when he's bored and done eating) and we are all usually waiting for her to finish. Dad and I are trying to teach table manners and we sort of feel that we all should stay at the table till everyone's done. We feel nagged by W asking over and over if he can clear his plate. We  want M to have the time she needs but we also get a little bored when we are waiting for her to finish for a long time. Sometimes it even seems like M is going slowly at the end just to annoy W. We feel bad about the whole situation because dinner should be a pleasant time and it isn't at the end. 

2. Gather information from the group. Ask what everyone else notices and what's hard for them. 

M does not like when W tells her to hurry up-- it's annoying! If it's food she doesn't like as much, she eats slower. Sometimes she wants seconds but we sometimes say no if we've been already waiting. 

W feels bored out of his mind. He wants to get up so he can go read and do other things with his evening and not run out of time for those things because he has to sit at the table forever.  

3. Brainstorm solutions. Have the whole group brainstorm ideas of how to make the situation better. Make sure everyone gets their turn to talk and say everything they want to say. (Boy oh boy, did my kids have strong feelings and therefore a hard time waiting their turn to say their piece during our meeting). Accept and write down any ideas unless unsafe or impossible.  

If we have things M thinks are yummy for dinner she would eat quicker. 

Have a set time W can always get up by even if others aren't finished. 

Have a set total length of time for dinner and when that time is up dinner is over, done or not.

Give a 5 minute warning at the end of dinner. 

4. Choose a solution to try.  Talk together about which ideas seem the best or most likely to work and agree on one, or a combination of a couple, to try. Make sure everyone can agree to try it. Make sure it's realistic/feasible. Make sure it respects everyone involved.

We decided to try a combination of things, including giving a warning when dinner is over and Mom getting at least one dinner idea from M each week for something she thinks is yummy and wants to eat. But the main thing we chose is a length of time for dinner. We wanted it to be a generous amount if time to be realistic for M and not cause her to feel pressured to eat fast, but also something a bit more efficient for her to learn to work with that felt workable for the rest of us. We chose 40 minutes with a plan to set our time timer (by the way: these are incredibly handy tools) for that length of time so everyone could be aware of how much time is left.   

5. Make a plan for how you know whether the strategy is working or not and when you will check in again. 

We decided to see how it was going in a week. 

6. Check back in and adjust the plan as needed. When you check in some days later, decide if everyone thinks the problem area is getting better. If so, great! Keep going. If not, go back to the drawing board and choose another or an alternate solution to try. Repeat as needed.  

The general consensus was that everyone was liking the new plan. There was little or no pestering from W, which M and the parents both appreciated. W was usually getting the time he wanted in the evening after dinner. M usually had enough time to finish what she wanted and when she didn't it was only a couple bites she had to toss or save as leftovers for another time. We all knew an end time for dinner was in sight and didn't feel like we had to wait as long. W was more often able to have conversations when he was done rather than fidget and be preoccupied with when others would be done. We've mostly loved this plan ever since. But it hasn't been all perfect. Sometimes we forget to set the timer. Sometimes W gets in the habit of pointing out or telling M how much time is left which she doesn't like and we remind him is not his job. Sometimes sports mean is is already a late night when we sit down and we don't feel like having a 40 minute dinner (and maybe M has become a little more focused in her eating too) so we set the timer for less. Overall it helped!

A few final notes:

These strategies-- group meetings and one-on-one problem-solving conferences-- have been invaluable in my professional and personal life. As a classroom teacher I often relied on these problem-solving strategies and found them to be so much more productive, and feel so much more respectful, than other methods of dealing with inevitable classroom behavior problems. Kids are excited to have their problems paid attention to and to be given the chance to give their input. They'd storm in from recess, saying "I have something we NEED to talk about at the next class meeting." I never had a shortage of agenda ideas jotted down when our weekly class meeting day rolled around, which students looked forward to. We all need opportunities to have our grievances heard. 

When I take the time to have a one on one conference-like chat with one of my kids at home, or call a meeting when something has come to a head, everybody seems to leave the conversation feeling more positive. I've seen problem areas improve, if not go away altogether-- sometimes with comically simple solutions, and sometimes after several iterations of trying a solution and failing and trying something else. 

In some cases there are other, bigger underlying factors at play, whether ADHD or extreme introversion or medical issues or anxiety. So of course some problems with kids and families can not be solved by a simple, thoughtful conversation. But many can. And it won't hurt to try. 

These problem-solving strategies are closely tied in with the language we use with kids: our words and tone-- and listening fully-- matter. 

Also, when we choose to tackle a problem matters. In the moment is often not a productive time to try. The right moment is often later, separate from the heat of the moment, when we can sit down and give everyone a chance to say their feelings and work it out together. It's about being proactive rather than reactive. The goal is to walk away on the same page with a plan, so that it might actually go better the next time.

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Other Resources about Family Meetings (Class Meetings) and One-on-One Problem Solving Conferences:

Article on Teacher-Child Problem-Solving Conferences (equally applicable to parent-child situations)

Sample Problem-Solving Conference Format/Planning Guide

Sample Class Meeting (i.e. Family Meeting) Format/Planning Guide

The Joy of Painting Step by Step

 

We love online step by step painting tutorials as homeschool art projects (I may have mentioned this in 2020 and 2021). 

First of all, everyone's painting of the same subject comes out completely differently. Each artist's style is all over each work of art. Just check out some of the many differences above.

Second, we learn a lot by doing step by step painting projects. While the end goal is to create a particular picture, the kids and I always learn painting techniques along the way that carry over into other projects. To name a few things we've learned: 

• to make leaves, reflections, snow on the top of a mountain, a background sky that fades from bright blue to lighter blue
• how to mix paints (or, rather, how to not mix them too much)
• to paint the canvas or spray it with water first to help the paints blend more smoothly
• to intentionally use the same brush without cleaning it sometimes
• how to make some trees and mountains look farther away or closer up
• all sorts of brush techniques, including holding your white-dipped brush above your painting and tapping it to make it look like it's snowing, and, using a bundle of Q-tips to make flower blossoms  

Each of these techniques we absorb makes us feel a little more adept at the skills of painting, and a little more likely to dream up our own picture and tackle a canvas on our own.

Third, of course, you get beautiful art to hang on the wall. We are always rotating the art work on display in our house, but a pretty canvas is one of the nicer, more polished pieces to decorate with.

Perhaps most importantly, doing a step by step painting project is a great opportunity to practice just trying our best and being patient with ourselves.   

Trying out Bob Ross's Joy of Painting Tutorials

This winter I had a paint and sip night at home with a friend. Since Bob Ross's classic The Joy of Painting show is available to stream on Amazon, we chose one of his paintings to do: "Mountain Lake." I always keep 11 x 14" canvases on hand for art projects, so we used those. Bob Ross uses oil paints. You can buy trademark Bob Ross oil paint sets (and brushes and tools...) online but they are pretty pricey. I don't use oil paints with the kids, and wasn't sure I wanted to use them myself either, so for this project we stuck with a nice set of heavy body acrylic paints we had. While they didn't include all the same colors or color names as Bob Ross's paints, some of them were the same and we could find something close enough for each step of the project. Two tools Bob Ross often uses are a fan brush, and a palette knife. I'd love to get those in the future to try them out, but we just used the variety of brushes in all sizes and shapes that I keep in a jar with our art supplies, and we made do just fine. While the episode was less than a half hour long, we ended up pausing the video a bunch of times to paint and then we'd watch a bit more, pause, paint, and so on. We were at it over two hours altogether but it was such a fun night. 

There's something about taking the time to do something just for the sake of being creative; as an adult I don't do that nearly enough and it's so fulfilling. One downside worth noting: I'd pictured an evening of sipping wine and chatting with my friend while painting, but we didn't do much talking (or wine drinking) because the painting itself took a lot of focus and effort! Our paintings are below; one came out looking like fall, while the other looks more like spring, and one of us oriented it horizontally and the other vertically. We both have a beautiful picture to hang in our houses now; the compliments from my family afterward were very ego-boosting to hear.

In the past, I'd watched a few Joy of Painting episodes with my kids, and they loved seeing the beautiful picture magically appear on the canvas and found it mesmerizing to watch and listen to, as I think many people do. My son went around afterward sharing some awesome Bob Ross quotes, his favorite being his unique encouragement about painting trees, which was something like: "sometimes these son of a guns don't want to come outta your brush, but you just gotta make 'em." You can't help but be charmed by his reverence for "almighty mountains," and of course his happy accidents, free clouds, and happy trees-- not to mention his hairdo. I can see watching Joy of Painting episodes when you just need a little encouragement in your life, whether or not you paint along. His entire message in all his gentle conversation as he paints is about the growth mindset, in an old-timey, grandfatherly kind of way. Bob Ross tells you that mistakes are okay, it doesn't have to be perfect, there's no wrong way to paint a tree/rock/cloud, just relax and try, don't agonize over every detail. It's so wonderful and soothing-- no wonder his show was on for 31 seasons.

Bob Ross's Joy of Painting with Kids

So, after my grown-up painting night, my son (11) was impressed with our results and eager to give a Bob Ross painting a try. Previously my kids have done several different online step by step painting projects, our favorites being from Step by Step Painting with Tracie Kiernan (see end of this post for pictures of one of those, as well as pandas and llamas above). Those projects are definitely simpler than Bob Ross's-- especially since she has a selection of paintings just for kids. But W was ready to try a little more of a challenge, so we went for it. Bob Ross's landscape pictures are all so pretty, it was hard to choose which one. My winter-loving son of course chose a snowy scene. 

We picked an afternoon when we didn't have to be anywhere at a certain time so we wouldn't feel rushed. We set up our area: the computer to play the episode, our canvases, all the brushes we own, a couple of paper towels, a cup of water for rinsing our brushes, a paper plate for each of us for mixing our paints. It went really well for a couple hours. We painted a background, mountains, clouds. It was so neat to see how different our paintings were turning out as we progressed; even though we'd both used the same two colors, the sky in each of our paintings showed two different moods entirely. 

Trying out his own technique for clouds

After a while, W started to get frustrated trying to paint his trees. He didn't like how his trees were turning out, so he painted over them and tried again. He proceeded to do this several times, getting more and more impatient with himself. I tried to remind him of Bob Ross's mantras. The trees don't need to be perfect. Everybody's trees will be different. Just go with it, relax, no pressure, it will all look good in the end as part of the whole painting. It was hard for him to hear any of that right then. He eventually walked away, took a break and a few breaths, and returned to paint a few last steps, and the paintings turned out great: 

I'm really glad my son and I tried out a Bob Ross painting. It was something creative we could do together. It was a chance to really focus on one thing for an extended period of time. It was a good challenge, for both of us. And, except for those few tense moments in the trees, it was a lot of fun. I think it's good to intentionally try new, hard things that stretch us and require persistence.

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...Because of the time and challenge level, I think it was also a good choice that only my oldest tried the Bob Ross painting. But my daughter (7) didn't want to be left out of the painting fun. A few days later she and I painted beautiful, bright springy scenes of Mt. Fuji and cherry blossoms, from the StepbyStep painting site:  

In summary, any step by step painting project is a super fun, creative activity for all ages. Here's our tips on doing one, whichever source you choose.

Tips for Using Step by Step Painting Tutorials

1. Bob Ross paintings are best for adults and older kids-- tweens and up.
2. There are many good, free step by step painting sources online. Tracy Kiernan's site is a favorite for all ages, and better for younger kids.  
3. Clear a big surface area before starting the project.
4. Gather your tools: acrylic paints, brushes, water cup, paper towels, canvas, device to watch or read instructions from.
5. Acrylics work for Bob Ross paintings, even though he uses oil.
6. Don't worry if you don't have the exact tools or exact colors that the instructor does. Just use whatever you have that's close.
7. It's your painting; it's okay to choose a different color or to make other choices differently than the instructor.  
8. Watch, pause, paint, repeat. Don't try to paint and watch at the same time.
9. Make sure you have a significant chunk of open, free time before you start a painting-- two to three hours. It's no fun if you have to either rush, or have to clean it up and get it back out a second time. 
10. It's most fun if everyone painting agrees to do the same painting. Once I tried letting each of my kids choose a painting they wanted to do and I supervised and helped both of them pause and start their video on separate devices as needed. It was a little overwhelming for me to keep tabs on what step each of them was on, and they each felt in their own world (plus, I didn't get to paint myself). Much more fun to see your companions' different but similar pictures appearing next to yours and be able to encourage each other along, step by step. 
11. Try not to get frustrated and just have fun with it.